The "Progressive" Woman...? Ew and ugh why did you do this Ellison. Or is there an underlying message here?
Similar to Native Son 's depiction of women characters and their roles in the main character's life, Ellison portrays women as sexual objects who are (to say the least) not as smart as the men and who are needy. Their characters are created in relation to the main male character, or another male character. We only hear of Sybil when the narrator is trying to get some more information about the Brotherhood from the married woman, and of course, it turns into drinking and physical intimacy because she's a woman. We also see this when the narrator goes to talk about the "woman" question in Harlem, even though he doesn't even really know what he's talking about. He ends up having an affair with one of the women when she seductively asks him some rather vague questions and pretends to be interested. Even in a small encounter, when a woman thought the narrator was Rhinehart, she grabbed his arm as if she were his partner and was described as smelling a lot like ...